Reviews

JEKYLL & HYDE
Role: Jekyll/Hyde

"David Weitzer, as Jekyll and Hyde, and Julie Rogelstad, as Lucy, a hard-luck gal who has the misfortune of attracting the sadistic Hyde, have powerful voices and charismatic stage presences. Mr. Weitzer couples his solid tenor with fascinating shifts in physique, graceful as Jekyll and then contorted and stiff as the twisted Hyde. Both performers make immediate and powerful impressions. Early in Act I, Mr. Weitzer convinces us that Jekyll is genuinely concerned about the plight of the insane, and that he wants to "extract the evil" from the mind of man and thus "banish the madness of war." With his fiancée, played with fetching tenderness by Allison Mosier, he's affectionate and attentive, but at the hospital, with the powerful Board of Governors, he's a courageous champion of science and truth. Because we care for Lucy, her maltreatment at the hands of Hyde later in the show makes for poignant theater, thanks too to Mr. Weitzer's stunning transformation into the very incarnation of evil."

Tony Lewis
The Standard-Times


"In the title role, David Weitzer was magnificent. As Jekyll, his beautiful singing voice soared to the rafters and his metamorphosis into the rougher Hyde was accomplished before our eyes by his crouching posture and a snarling, hoarse, rasping voice, most notably in the same song. His rendition of 'This Is The Moment,' celebrating his breakthrough, rivals, I'm sure, that of Robert Cuccioli, who originated the role on Broadway."

Ruth Ross
Recorder Publications


"Mr. Weitzer has a Broadway-caliber singing voice as is evident in his strong performances of 'This Is The Moment' and 'Confrontation.' He effectively portrays Jekyll as the determined scientist struggling with the battle of good and evil. His Edward Hyde portrayal is gruff and menacing. He is frighteningly evil in his murder scenes as he contorts his facial expressions to pure demonic proportions."

Don Simon
Vice President, Jekyll & Hyde Fan Club
J&H Fan Review


"Dr. Jekyll/Hyde, played by David Weitzer, stole the show. Weitzer swallowed this role like Jekyll chugged his personality-altering formula. He has a firm grasp of his characters, which climaxed in a dueling song between Jekyll and Hyde in which the actor brilliantly conveyed the battle brewing under the skin and in the head of the good doctor and his antithesis. Weitzer's voice is soft and powerful. When he sang a well-known song in the play, 'This Is The Moment,' the crowd practically whispered, 'it certainly is,' as the high notes soared overhead."

Lena Pennino
Suffolk Life

THE SCARLET PIMPERNEL
Role: Sir Percy Blakeney

"Weitzer commands as powerful a bari-tenor as you're likely to hear east of the Metropolitan Opera, and he's more than passable as a swashbuckler, filling the hero's shoes with a swaggering confidence." 

Steve Parks
Newsday

Disney's BEAUTY AND THE BEAST
Role: The Beast

"The Beast, played by David Weitzer making his debut at SSMT, makes his character both lovable and frightening as he tries to win the heart of the sweet, yet strong-willed Belle. His singing voice is showcased in a strong solo near the end of Act I, 'If I Can't Love Her.'"

Melanie Mullinax
Winchester Star


"Although the technical effects are brilliant, the moving love story shines through. Melanie Stringer is an enchanting Belle, the prince's only hope for salvation, and David Weitzer is a poignant Beast. Both sing with power and verve."

John Horan, Jr.
The Northern Virginia Daily

INTO THE WOODS
Role: Cinderella’s Prince/Wolf

“The cast of 20 (including three actors in double roles) is uniformly able. Special notice for their singing should go to David Weitzer and Aaron Keller as the vainglorious neighborhood princes. Weitzer and Keller have the show-stopper in a witty number called ‘Agony,’ and there’s a nice bit of business between the wolf (also played by Weitzer) and Little Red Riding Hood (Ephie Aardema) in the first act.”

Jeff DeBell
The Roanoke Times

KISS ME, KATE
Role: Fred Graham/Petruchio

“Among the performers, all of whom stood out even in the smallest parts, were David Weitzer as Fred/Petruchio who is handsome and has a fine, rich baritone voice and Tiffan Borelli as Lilli/Katharine who is as beautiful as Weitzer is handsome and who sings with a beautiful, clear soprano. Both of them are also excellent actors.”

John Adrian
The Banner

DRACULA – THE MUSICAL
Role: Dracula

“Everybody in the cast is quite stunning. David Weitzer ages and un-ages with brio, and sings with power and intensity.”

Anita Donovan
The Trenton Times

“One of the most exciting productions to hit the Kelsey Theatre in years… The Count himself (David Weitzer, who has performed the title role in four productions of Jekyll & Hyde, as well as Percy in The Scarlet Pimpernel) adds a solid voice and great presence to the production.”

Stuart Duncan
The Princeton Packet


MAN OF LA MANCHA
Role: Don Quixote

"David Weitzer, who played Don Quixote, belted out the award-winning show's anthem, "The Impossible Dream," which brought a tear to many an eye."

Carol Benanti
Staten Island Advance

THE THREE MUSKETEERS
Role: Porthos

"The well-worn plot can seem cliché, but the cast pulls it off successfully. Stephen Cabral, David Weitzer, and David Velarde perfectly capture the Musketeer spirit of honor and duty. Their genuine camaraderie and excellent swordplay add to the excitement."

Jeanette Toomer
Backstage

THE NEW JERSEY TRAPEZOID
(AEA showcase)
Role: Captain Tobias Quick

"As the swashbuckling, though slightly bumbling, captain, David Weitzer seems to have been injected with Kevin Kline hormones. But although the character is a familiar type, Weitzer's gusto and comic timing are a pleasure to watch."

Michael Dale
Broadway World.com

THOROUGHLY MODERN MILLIE
Role: Trevor Graydon

"In 1922, Millie Dillmount, a modern woman, hoped to bag a successful husband. But things went awry and she opted for love instead. ... The mission of marrying her boss, Mr. Graydon (David Weitzer, whose voice is phenomenal) intertwined with the corruptness of the Hotel Priscilla's villainous manager, who traps defenseless young women with no family and ships them off to Hong Kong for a price."

F.C. Lowe
Winchester Star


"David Weitzer offers a polished portrayal of Millie's boss, an Al Gore clone whose stiffness and pedantry melt as the show proceeds. He also sings well and he and Millie spar musically in a tongue-twisting stenography contest - he dictates faster and faster, she easily keeps pace - set to a Gilbert and Sullivan patter song."

John Horan, Jr.
The Northern Virginia Daily

ROMANCE/ROMANCE
Role: Alfred/Sam

"The same four actors are featured in each act, with David Weitzer and Kelly Caufield playing the mismatched lovers, and Phillip Taratula and Tiffany Marshall as the supporting couple. … When everyone was on, it was glorious to be a sounding board for the harmonies of these four singers, especially Caufield and Weitzer. They have great chemistry as the platonic friends whose relationship steams up in 'Summer Share,' especially after we've watched them flirt as the deceptive Viennese lovers in the first act."

Rebecca Green
Portland Press Herald / Coastal Journal


"Weitzer plays the part to a fare-thee-well, with exaggerated gesturing and bombastic deliberation. … There's plenty of music to delight the ear. The duet 'It's Not Too Late' stands out, as does 'The Night It Had to End.'"

Jack Riddle
Lincoln County Weekly


“The cast members, imported from New York and other professional sites, are part of Actors’ Equity and evince a certain amount of ease with the material. Maria Couch suggests a world-weary floozy while David Weitzer tries manfully to suggest an all-knowing, Maurice Chevalier-type of love. … The two have anthem, call-to-arms, bravura songs such as ‘It’s Not Too Late’ and ‘I’ll Always Remember The Song’ before the prophetic ‘The Night It Had To End.’”

Mal Vincent
The Virginian-Pilot


"David Weitzer, as Sam, played a likeable, ordinary guy, despite his adulterous thoughts. Songs like 'Words He Doesn't Say' showcased his vocal and acting abilities."

Shannon Dunlap
Portfolio Weekly

HOT ‘N COLE

“Strong voiced David Weitzer fares especially well vocally on the big romantic ballads, particularly ‘Rosalie’ and ‘From This Moment On’ (a duet with Jennifer Winegardner). Dressed as a butler, Weitzer is humorously arch in his delivery of ‘Miss Otis Regrets.’”

Bob Rendell
TalkinBroadway.com


“David Weitzer’s voice was most impressive leading the company through the penultimate ‘Broth of a Boy,’ a sad, tender and rarely heard ballad written for a movie that was never produced. Presented as a tribute to our latest generation of fallen soldiers, the number featured a back screen with projected images of ribbons symbolizing support of our troops and other noble causes.”

William Westhoven
Daily Record


"The Bickford Theatre brings 'Hot 'N Cole' to vibrant life, with an energetic cast of six whose voices blend for such favorites as 'Just One Of Those Things' and 'I've Got You Under My Skin.' Perhaps one of the best examples of (Cole Porter's) smart, jaundiced view of the world is 'Miss Otis Regrets,' sung in Act I by David Weitzer. He appears as a butler, announcing that her 'regrets' are due to murder and jail or something along that line."

Liz Keill
Independent Press

ALL IN THE TIMING
Roles: 
Words, Words, Words - Milton
The Universal Language - Don
Philip Glass Buys a Loaf of Bread - Baker
The Philadelphia - Al
Variations on the Death of Trotsky - Ramon

"All four actors appear in most of the segments. David Weitzer stands out in his multiple roles, but particularly as a mad-professor cum con man in 'The Universal Language.' He is promoting a language called Unamunda that he wants all the world to speak. There are so many little word jokes here that the listener is forewarned to pay close attention. Tiffany Marshall also succeeds here as a gullible foil that he turns into a kind of Unamunda-speaking monster."

Jack Riddle
Lincoln County Weekly


"If there is such a thing as virtuoso acting, the cast of 'All in the Timing' offers some good examples. To pull this off requires good directing, by Brian Clay Luedloff, and a cast capable of precise interaction of both voice and movement. Tiffany Marshall, Kelly Caufield, David Weitzer and Phillip Taratula make it seem easy."

Christopher Hyde
Portland Press Herald

 

SIDE BY SIDE BY SONDHEIM

"The actor-singers are well-nigh perfect for the selections, which tend to alternate between the romantic and the sophisticated, if not cynical. Kelly Caufield generally sings the ingenue roles, and Lynne McGhee the more world-weary ones. David Weitzer accommodates good cop and bad cop equally well and can even fill in with falsies and falsetto when a female trio is called for."

Christopher Hyde
Portland Press Herald

 

BLOOD BROTHERS
Role: Edward Lyons

"[Mickey's] twin, Eddie, played by David Weitzer as a snooty, upper crust nerd, is hilarious as he learns the 'smashing' ways of the lower class kids he wishes to emulate."

Ruth Ross
Independent Press

CHILDREN OF EDEN
Role: Adam/Noah

"Gary John La Rosa directed and choreographed [and] Jalmari Vanamo is musical director… Under their helm are a number of strong vocal performances that can be enjoyed in the persons of Gwen Ricks-Spencer, Gannon McHale, David Weitzer and other selected cast members."

Angela G. King
The Montclair Times

 

HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING!
Role: Bud Frump

"Weitzer maniacally plays Finch's foil, Bud Frump. He throws tantrums, wears a permanent sneer (and mismatched socks), and is as conniving as Finch is smart."

Darren Cooper
The Montclair Times


"After convincing the boss that they both graduated from the same Ivy League school, Finch gets assigned to the mailroom. There, he meets Biggley's nerdy nephew, Bud Frump (played with manic energy by David Weitzer), who senses that the new guy has the smarts to make it up the corporate ladder faster than he. In one particularly funny scene, Frump complains to his uncle about having to wait for the elevator. 'Why don't you take the staircase?' says his uncle. 'It's 30 floors!' the kid snaps back. 'Then why don't you jump?' comes the tart riposte from sweet Uncle Biggley."

Michael Frank
Verona-Cedar Grove Times


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